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1、owners manual V12 mixing console RadioFans.CN 收音机爱 好者资料库 direct output features This section is intended for use in Front of House operations to provide a controlled feed to an external tape machine. It may also be used as a localized effects send or monitor output. When the console is being used fo
2、r monitor mixing operations,this output is used as a dedicated send to the Matrix section to generate custom versions of the Matrix mix for monitor use by secondary artists such as horn sections or backing vocals. DIRECT OUTPUT CONNECTOR - XLR Balanced Output - rear-panel mode switch When not depres
3、sed,all controls within this block affect the direct output connector. When depressed, all front panel controls within this section affect the Pan and assignment section of the console. FDR pre switch Selects the signal source of this section from its normal post fader source position to a Pre Fader
4、 signal source. EQ pre switch Selects the Pre Fader signal source between its normal Post EQ source position to a Pre EQ signal source. level control Controls the Direct Output level when the Mode switch is NOT depressed. When the Mode switch IS depressed,This level control will feed the Pan/Assignm
5、ent section of the module in place of the normal post fader signal. pushon/pushoff Located on level control pot,turns this section on and off with its status displayed by the dual color LED next to this control. hidden functions When the Mode switch is depressed,the Direct Output signal source is de
6、termined by internal jumpers. (Post Fader - Pre Fader - Pre EQ) An additional jumper determines whether or not the Pre Fader signals are controlled by the modules mute system. mono input module p.2 RadioFans.CN 收音机爱 好者资料库 p.3 group assignment features discrete group assignment switches 18 Assignment
7、 of post fader signal to discrete group buses unless the pan switch is activated, in which case the signal is post pan pot. When the mode switch within the Direct Output section is depressed, the signal source disconnects from the channels main fader and instead obtains its signal from the set of co
8、ntrols located above the assignment section. panswitch Confi gures the discrete bus assignment switches to follow the pan control with left assigned to odd and right assigned to even mix buses. mono assignment switch Direct assignment of channel to mono mix bus.Normal signal source from post fader.(
9、When the mode switch depressed,the signal is sourced from section above assignment area of console). left/right assignment switch Assigns post pan pot signals to left and right mix buses. (When the Mode switch is depressed,the signal is sourced from section above assignment area of console). LCR swi
10、tch Reconfi gures pan pot to LCR operation,requires the M and LR assignment switches to also be selected. LCR operaton does not affect the pan to group buses pan control Adjust panoramic image between the Left and Right outputs (Including groups when pan on is selected) When LCR is selected,provides
11、 true LCR panning between Left and Center and Center and Right buses. Signal to pan is selected by Mode Switch as normal post fader signal or,when switch is depressed, as a post direct level control source (Monitor Mode). mono input module RadioFans.CN 收音机爱 好者资料库 input features pad switch Inserts a
12、26dB pad into the microphone input circuit. 48-volt phantom power switch Supplies 48 Volts to the microphone input. Will not operate if Line Input is selected. line input switch Selects the line input circuitry using both the XLR and 1/4” phone jack. If a connector is plugged into the 1/4” jack,the
13、line input signal from the XLR connector is defeated. (Note:Line input signal is NOT padded down as is common in many consoles,but rather fed into another set of electronics intended for line operation. The result is better noise performance com- pared to padding line level signal down and feeding t
14、he mic pre amplifi er) ground-lift switch Lifts pin 1 of XLR connector from chassis ground. (on rear panel of module) input gain control Adjusts the gain of the input preamp for both mic and line sources. peak LED indicator Red LED will illuminate if the pre-amplifi er section comes within 3dB of ov
15、erload. polarity reverse switch Reverses the polarity of input signals (Both Mic and Line). insert-on switch Activates Insert return connector. Signal is always fed to balanced insert send connector. Any equipment patched into the insert jacks will be inserted into the channel signal path. insert-po
16、st switch Changes physical location of insert points from normal pre EQ position to post EQ position. INSERT SEND AND RETURN CONNECTORS - SEPARATE 1/4” Balanced Send and Return connectors (on rear of module). mono input module p.4 p.5 EQ features high-pass fi lter on-switch Turn on High Pass fi lter
17、 circuitry. continuously-variable high-pass fi lter control Sweep control variable between 20Hz and 400Hz at a -18dB per octave rate. high-frequency Q-control with shelf-switch Adjust the Q of the high frequency section between 3.0 (Full Counter Clockwise) and 0.7 (Clockwise). When turned beyond the
18、 widest band- width,the control has a switched position (Full Clockwise) that puts the high frequency section into shelving mode. high-frequency band amplitude and frequency controls The inner-knob allows for up to 15dB of boost/cut.The outer-knob determines the center frequency of the bandadjustabl
19、e from 1KHz20KHz. high-mid frequency Q-control Adjust the Q of the high mid frequency section between 3.0 (Full Counter Clockwise) and 0.7 (Full Clockwise). high-mid frequency band amplitude and frequency controls The inner-knob allows for up to 15dB of boost/cut.The outer-knob determines the center
20、 frequency of the bandadjustable from 400Hz8KHz. low-mid frequency Q-control Adjust the Q of the low mid frequency section between 3.0 (Full Counter Clockwise) and 0.7 (Full Clockwise). low-mid frequency band amplitude and frequency controls The inner-knob allows for up to 15dB of boost/cut.The oute
21、r-knob determines the center frequency of the bandadjustable from 100Hz2KHz. low-frequency Q-control with shelf-switch Adjust the Q of the low frequency section between 3.0 (Full Counter Clockwise) and 0.7 (Clockwise). When turned beyond the widest band- width,the control has a switched position (Fu
22、ll Clockwise) that puts the low frequency section into shelving mode. low-frequency band amplitude and frequency controls The inner-knob allows for up to 15dB of boost/cut.The outer-knob determines the center frequency of the bandadjustable from 40Hz800Hz. EQ on switch Inserts EQ section into the in
23、put modules signal path.This switch has no affect on the High Pass fi lter system. mono input module aux features aux send section 9/10,11/12,13/14,15/16 Four sets of dual concentric controls,each set having the following associ- ated controls: pre-fader switch Selects the source of the signal for t
24、he dual concentric pair between the normal post fader signal source to a pre fader signal source. push-on /push-off switch Inner control of dual concentric pot acts as an On/Off switch for the aux- iliary send pair of signals (odd and even) dual-color on-indicator Each dual concentric control has a
25、dual color LEDto indicate on/off/mute status. When the aux pair is off,the LED is not illuminated. When the aux pair is ON,the LED will illuminate GREEN. When the aux pair is ON but MUTED,the LED will illuminate RED. invisible mono/stereo switch 9/10,11/12,13/14,15/16 Electronic switching, controlle
26、d from within the master section, deter- mines if odd and even pair aux sends are independent (Separate level con- trols) or confi gured as a stereo pair with the inner control providing level functions and the outer providing odd/even pan functions. TWO INTERNAL JUMPERs - select pre fader source as
27、 pre EQ or post EQ for 912 and 1316.Default setting is post EQ. TWO INTERNAL DIP SWITCHES - set mute/no-mute functions for 912 and 1316.Default setting is follow mute. mono input module p.6 p.7 aux features aux send section 5,6,7,8 Four rotary controls,each having the following associated controls:
28、pre-fader switch Individual switches for each aux send selects the source of the signal between the normal post fader signal source position to a pre fader signal source position.INTERNAL JUMPER - selects pre fader signals as pre or post EQ (post EQ is default) internal dip switch determines whether
29、 pre source follows channel mute or remains un-muted (follow mute is default). push-on/push-off switch Control pot acts as an On/Off switch for the associated auxiliary send. dual-color on-indicator Each control has a dual color status indicator indication of on/off/mute sta- tus. When the aux send
30、is off,the LED is not illuminated. When the aux send is ON,the LED will illuminate GREEN. When the aux send is ON but MUTED,the LED will illuminate RED. INTERNAL JUMPER - selects pre fader source as pre or post EQ (post EQ is default) and Mute/No Mute functions for all 4 aux sends within this block.
31、Internal dip switch determines whether pre source follows channel mute or remains un-muted (follow mute is default). aux send section 1,2,3,4 Four rotary controls,each having the following associated controls: pre-fader switch Individual switches for each aux send selects the source of the signal be
32、tween the normal post fader signal source position to a pre fader signal source position. INTERNAL JUMPER - selects pre fader signals as pre or post EQ (post EQ is default) internal dip switch determines whether pre source follows channel mute or remains un-muted (follow mute is default). push-on/pu
33、sh-off switch Control pot acts as an On/Off switch for the associated auxiliary send. dual-color on-indicator Each control has a dual color status indicator indication of on/off/mute sta- tus. When the aux send is off,the LED is not illuminated. When the aux send is ON,the LED will illuminate GREEN.
34、 When the aux send is ON but MUTED,the LED will illuminate RED. INTERNAL JUMPER - selects pre fader source as pre or post EQ (post EQ is default) and Mute/No Mute functions for all 4 aux sends within this block.Internal dip switch determines whether pre source follows channel mute or remains un-mute
35、d (follow mute is default). mono input module monitor features 8-segment channel meter Monitors a pre or post fader signal level as determined by a Master Global POST switch within the master section of the console. Normally, a pre fader signal is monitored. When the Global master switch is depresse
36、d,ALL channel meters switch to a post fader monitor position to prevent confusion between pre and post channel metering. The 8 seg- ments include a dynamic signal present LED indicator which varies in intensity to indicate the presence of any audio signal, and increases in intensity until it reaches
37、 full brightness. When signal level reaches -15dB, an additional LED will illuminate. Additional LEDs indicate at channel sig- nal levels of -6dB,-3dB,0dB,+3dB and +8dB. The top red segment samples signals at a pre EQ position,post EQ posi- tion,and a post fader position. When any of these points ap
38、proach 3dB of clipping,this led will illuminate RED. This LED is NOT affected by the posi- tion of the Global Post Fader monitor switch. VCA-level LED This LED glows green to indicate the amount of control voltage applied to the channel VCA; the greater the control voltage, the brighter the LED. Oft
39、en,a channel may be assigned to more than one VCA master,and it is easy to overlook an assignment and wonder why a channel isnt on.This LED gives the operator a quick reference to the state of the channel VCA; if there is no LED indication,there is no VCA control voltage.The LED will turn from green
40、 to red when the control voltage limit of +20dB is reached as detailed above.This alerts the operator to unusual or incorrect gain set- tings and prevents any additional fader boost from being applied. solo switch Will illuminate when manually selected in one of the consoles many Solo modes. Control
41、s within the master section determine if this switch will sample signal pre fader or post fader/post pan pot. Additional switches will determine the operating characteristics of the Solo system. These may be selected from within the master section to be NORMAL (cumulative), LAST PRESSED (Only one sw
42、itch will be on at a time.Selecting the next solo switch will automatically cancel the last switch selected) or MOMENTARY (Solo system on only while switch is held down). This Solo switch will also Solo and illuminate automatically if the VCA master group that the channel may be assigned to is put i
43、nto SOLO. The SOLO system displays selected channels on individual Solo Left and Solo Right meters. The signal also appears on separate Headphone and Monitor output channels. The solo signal may also be routed to the Alternate A/B and C/D outputs within the master section. write-on strip In the area
44、 separating the angled upper portion of the console and the Fader bay area is a write in strip. This strip the primary module number- ing,while providing write in area for customer use. mono input module p.8 p.9 direct output features This section is intended for use in Front of House operations to
45、provide a controlled feed of the modules separate left and right signals to an exter- nal tape machine. It may also be used as a localized effects send or moni- tor output. When the console is being used for monitor mix operations, this output can be used as a dedicated send to the Matrix section to
46、 gen- erate custom versions of the Matrix mix for monitor use. DIRECT OUTPUT CONNECTORS - Separate Left and Right XLR Balanced Outputson module rear-panel. mode switch When not depressed,all controls within this block affect the direct output connectors. When depressed,all front panel controls withi
47、n this section affect the Balance and assignment section of the console. FDR pre switch Selects the signal sources of this section from its normal post stereo fader source position to a Pre Fader stereo signal source. EQ pre switch Selects the Pre Fader signal source between its normal Post EQ stere
48、o source position to a Pre EQ stereo signal source. dual level control Controls the amount of Left and Right signal feeding the dual direct out- put connectors when the Mode switch is NOT depressed. When the Mode switch IS depressed, this level control will feed the Balance/Assignment section of the
49、 module in place of the normal post fader signal. pushon/pushoff Located on the inside control of the dual concentric level control pot,it turns this section on and off with its status displayed by the dual color LED next to this control. hidden functions When the Mode switch is depressed,the Direct Output signal source is determined by internal jumpers. (Post Fader - Pre Fader - Pre EQ) An additional jumper determines whether or not the Pre Fader signals are or controlled by the modules mute system. stereo input module p.10 group assignment features discrete group assignment switc