innovason-sy80-brochure-en电路图.pdf

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1、Digital live mixing console RadioFans.CN 收音机爱 好者资料库 Monitor Front Of HouseTheatreLive Broadcast - Console surface designed for fast precise control - Clear view of all Aux / bus sends - Mono, Stereo or multi-format Aux (IEM) - Full processed Inputs and Outputs - Independent panning for each of the 4

2、8 bus - Intelligent monitoring, 3 configurable circuits - Exceptional sound quality - Flexible console configuration - I/O, XFAD, VCA, groups, matrix - Smart automation and Live functions - Multi-format mix buses - Full processing inc. delays on outputs - Small footprint, more paying customers - Off

3、-line programming - Configurable for specific show layouts - XFADfor multi-format sources - Matrix flexibility e.g. dressing room - Show automation - snap shot, MTC, CrossFade - Live functions - OverRam, Relax, Off-line - Bus, VCA, Group combinations for special effects - Flexible bus outputs and di

4、stribution - Multiple program Masters and Matrix - Accessible monitoring and Comms circuits - Customisable panels for broadcast metering and talkback systems - Automation and relax functions - Exceptional audio quality with full digital functionality Performanceenhanc designed forYou. The Sy80 digit

5、al balances the with the business As well as setting provides the mix control and pro return on invest RadioFans.CN 收音机爱 好者资料库 for your application sound engineers prepare off-line get a great mix every time rental companies, installation contractors provide the best digital console solution and sav

6、e time, space and money producers get digital performance from the Live Sound experts TV and Radio production managers save space and weight, and gain exceptional audio quality with full digital functionality theatre specialists more seats for customers, advanced show automation for a superior perfo

7、rmance maximum control control surface specifically designed for live mixing straightforward user interface a fader per channel, 80 inputs/80 faders - No layers needed display of all key console parameters available at a glance on-screen - everything you need to see in one place at one time full cha

8、nnel digital processing on inputs and specified outputs superb power:weight ratio 48 mix buses 80 outputs 80 inputs 80 faders compact size: only 94kg designed to cope with the rigours of touring hundreds of consoles in use every day worldwide simple to service with modular architecture global suppor

9、t international network of trained InnovaSON partners local sales and technical support international support for world-wide tours, rental connections exceptional return on investment acclaimed audio quality high performance mic pre-amps short and constant latency floating point DSPs with maximum ac

10、curacy 144 dB dynamic range lightweight = transport and labour cost saving modular = efficient use of resources for touring companies small footprint = more paying seats in the venue affordable = priced to meet the budgetary needs of todays production companies. proven durability change the values o

11、f the function and as the sound alters the on-screen display reflects those changesfast, safe, repeatable. With Mutes, Cues, a 16 led comprehensive level-meter and a motorized fader for each channel, you have everything you need for a great mix. Digital live mixing t h a t w o r k s f o r y o u Outp

12、ut signal path as easy for bus output Press the Patch Out key and the global view of all connections to the outputs is displayed. Select a mixing bus fader and then select your physical output with the track ball. Change the output name if you want for an easy-to-follow picture of the connections. R

13、ight click and the connection is made. If you want a bus to be multi-channel (XFADmode), select the fader(s) reserved to manage the feeds and assign them in much the same way as with XFADinputs. Using the Patch Out grid you can quickly set up a stereo or LCR bus output in the analog, and /or digital

14、 domain. If you want to distribute the same bus to several outputs (analog, digital), select the next output with the track ball, right click and your new output is connected. mix bus rehearsals went well, and everything is in place; the show will start soon. And, of course, at the last minute the s

15、tage manager comes up and asks for a new commentator mic or any one of the last minute things that can happen live Your show has 65 page snap-shots and this mic need to be added after the 3rd act no problem, press Off Line. The console is frozen in its current state and the audio conti- nues unchang

16、ed. The console software, Sensoft, now lets you change to the page to edit, add this new mic, prepare settings corrections and routing to the buses, and save the new modi- fication. If necessary then OverRam the mic settings to all the pages of the show where this mic is to be used. OverRam is the f

17、unction to use when you want to update a change to one or more channels across multiple pages of the current show. OverRam can be used, off-line as we did here, or on-line during the show itself to update a new Eq or any parameter to this same channel throughout the pages where the new setting is ne

18、eded. From then on those pages, scenes, will have the new parameters as well. Were still off-line. The TFT screen displays this clearly and the console key Off Line is showing red. Press Off Line again and you come back to the console status you left and the desk is unfrozen and live again. Good sou

19、nd on this channel and you want to copy it to other channels? Choose the parameters to be copied and press Copy, select the destination channel and press Paste and its done. The Link grids give you the ability to have several channels under control at the same time. This could be for inputs, Eq and

20、dynamics, faders, mute and outputs. You can then link channel pairs as stereo or more as groups of inputs or outputs depending on the flexibility of control you need. Relax keeps specified channel faders in manual mode ie: not under software control. This could be for example for particularly sensit

21、ive or unpredictable inputs you need to use during a show. For each fader, you can define the parameters to keep out of the automation, keeping partial or full manual control through the different show pages. Sy80 is controlled by Sensoft 8, dedicated PC compatible software that enables you to prepa

22、re or archive your console settings and libraries on your desk or off line on a laptop PC. Export and Import functions allow file transfers from console to PC and vice versa. Sensoft features up to 1000 pages per show with or without automation. Typical IEM B On Tour - Monitoring - Console surface d

23、esigned for fast precise control - Clear view of all Aux / bus sends - Mono, Stereo or multi-format Aux (IEM) - Full processed Inputs and Outputs - Independent panning for each of the 48 buses - Intelligent monitoring - 3 configurable circuits Monitor console configuration example On Tour - Front of

24、 House - Exceptional sound quality - Flexible console configuration - I/O, XFAD, VCA, groups, matrix - Smart automation and Live functions - Multi-format mix buses - Full processing inc. delays on outputs - Small footprint - more paying customers - Off-line programming FOH console configuration exam

25、ple 60 inputs - 40 bus 48 mono, 6 stereo inputs, 2 XFAD 8 VCA - 20 stereo Aux, 2 XFAD up to 16 inserts 64 inputs - 40 bus 24 mono, 10 stereo / quad inputs, 4 XFAD 8 VCA - 2 stereo Masters, 4 stereo sub groups 10 mono / stereo Aux, 12 Matrix, 4 XFAD up to 16 inserts Digital live mixing t h a t w o r

26、k s f o r y o u applications On Stage - Theatre - Configurable for specific show layouts - XFADfor multi-format sources - Matrix flexibility e.g. dressing room feeds - Show automation - snap shot, MTC, CrossFade - Live functions - OverRam, Relax, Off-Line - Bus, VCA, Group combinations for special e

27、ffects Theatre console configuration example 48 inputs - 48 bus 8 mono, 8 stereo, 3x8 tracks inputs, 8 XFAD 12 VCA - 12 stereo groups, 2 Masters LCRM 12 Matrix, 2 Aux, 6 XFAD up to 32 inserts or direct I/O On air - Live Broadcast - Flexible bus outputs and distribution - Multiple program Masters and

28、 Matrix - Accessible monitoring and Comms circuits - Customisable panels for broadcast metering and talkback systems - Automation and relax functions Live broadcast console configuration example 58 inputs - 44 bus 10 mono, 8 VTR - tracks, 2x8 tracks inputs, 8 XFAD 10 VCA - 6 stereo groups, 3 stereo

29、Masters (programs) 10 Aux / mix minus, 6 Matrix, 6 XFAD up to 24 inserts or direct I/O Sy80 Audio specifications Internal sampling frequency48 kHz External sampling frequency44 to 49 kHzWord Clock - AES as option Internal signal processing32 - 40 bitsFloating point 760 dB Dyn range Audio signal path

30、24 bits144 dB dyn range Analog signal delay1,3 msmic in- DSP- analog Xout Analog bandwidth15 Hz. 20 kHz-3/0 dB mic in- DSP- analog Xout Analog input range (mic input)-63 to 27 dBinput gain in 64 steps of 1.5 dB Analog dynamic range105 dBinput gain 6 dB, output level +22 dBu Total Harmonic Distorsion

31、 + noise-90 dB typ.input gain 6 dB, output level +22 dBu Hum and noise-127 dBequivalent input noise 60 dB gain Noise-95 dBuresidual output noise -95 dBuAny bus fader at 0 dB -79 dBuAny bus at 0 dB, 1 input at 0 dB, gain at 60 dB Maximum voltage gain+73 dBmic in at 63 dB, faders 0 dB, output at +22 d

32、Bu Digital signal delay, synchronous0, 5 msAES in - DSP - AES out Digital signal delay, asynchronous1,3 .1,42 msSrc AES in - DSP - AES out Digital Bandwidth5 Hz.20 kHz-0,1/0,1 dB AES in - DSP - AES out Digital dynamic range144 dBAES in - DSP - AES out Digital THD + noise, synchronous-138 dBAES in -

33、DSP - AES out Digital THD + noise, asynchronous-122 dBSrc AES in - DSP - AES out Digital noise floor-155 dBFS 80 Input channel processingInput section48V, Phase, programmable Insert Delay1 to 5300 samples (110 ms 48kHz) FilterLow Cut 0 to 500 Hz sweepable DynamicsGate/Expander, Compressor/Limiter, 1

34、2 parameters Equalizer4 full bands 20 Hz-20 kHz +/- 15 dB + Notch Panoramicindependant for each bus, short cut and full screen Remote control (VCA, mute groups)Level and Muteunlimited assignable VCA and/or modes 48 bus, programmable functionsGroupsmono, stereo, LR, LCR, LCR+M Auxilliariesmono, stere

35、o, LR, LCR, LCR+M, pre/post Mastersmono, stereo, LR, LCR, LCR+M Matrixmono + direct input mixing Monitoringstereo, mono, solo, priority, 3 circuits + Headphones System I/O32 bus patchable up to 64 physical outputs DSP Send Line16 bus patchable + Headphones 8 to 64 Output processing (XO-8D, DO-8X)Oup

36、utpatch, output level 10 to 22 dBu (-12 to 0 dBFS) Delay1 to 65536 samples (1365 ms 48 kHz) DynamicsGate/Expander, Compressor/Limiter, 12 parameters Equalizer8 full bands 20 Hz-20 kHz +/- 15 dB + Notch Sy80 Block Diagram Audio modules 8 mic / line analogue inputs -27 to 63 dB remote preamp gain and

37、+48V phantom 24 bit 48 kHz Delta Sigma Converters XLR-3 F balanced inputs Leds for signal, Peak, 48V SI-8D 8 line level analogue outputs 11/17/22 dBu Full scale jumpers 24 bit 48 kHz Delta Sigma converters Remote Mute and Patch XLR-3 M balanced outputs MO-8D 8 line level processed analogue outputs R

38、emote output gain control (10 to 22 dBu) 8 full band parametric Equalizer Dynamics processing and Delay up to 1350 ms XLR-3 M balanced outputs XO-8D 4 AES digital inputs (8 channels) IEC 958, 24 bit digital audio Remote digital gain (-6 to +6 dB) and delay (0 to 5 ms) Synchronous mode ( system word

39、clock) Sample Rate Converter option 30 to 50 kHz XLR-3 F , 110 Ohm balanced inputs DI-8S/Src 4 AES digital outputs (8 channels) IEC 958, 24 bits digital audio Remote Mute and Patch Synchronous mode ( system word clock) XLR-3 M 110 Ohm balanced outputs DO-8A 4 AES digital processed outputs (8 channel

40、s) Remote output gain control (10 to 22 dBu) 8 full band parametric Equalizer Dynamics processing and Delay up to 1350 ms Synchronous mode ( system word clock) XLR-3 M 110 Ohm balanced outputs DO-8X Digital live mixing t h a t w o r k s f o r y o u Mechanical specifications 70 mm70 mm50 mm50 mm 54 m

41、m 746 mm 1100 mm 950 mm 1650 mm 860 mm 105 mm 305 mm 325 mm 39 45 144 45 38 485 mm Audio rack characteristics Length (19 inches rack standard) : 485 mm Height (7 Units) : 312 mm Depth : 325 mm Weight : 18 kg Dual cold redundancy power supplies internal 90-230 Vac, 50/60 Hz, 300 W each Acoustic noise

42、 figure NR25 Back plane bus 11 slots 1 slot reserved for Power Supply module 1 slot reserved for DSP Sy80 module 1 slot reserved for MC64 controller module 8 slots available for Audio I/O modules Console mechanical characteristics Length : 1650 mm Height : 305 mm Depth : 860 mm back cover open : 950

43、 mm keyboard drawer open : 1150 mm Weight : 94 kg Dual redundant power supply internal integration in 2 units 19 racks 2 Power Connectors Jaeger 17 Pins 90 230 Vac, 50/60 Hz , 500 W each Acoustic noise figure NR20 Retractable on board 15 TFT screen Embedded 800 MHz Pentium 4 CPU 64 Mo Ram, 64 Mo Fla

44、sh solid state hard disk Ethernet 10/100 Base T Socket Drawer with 87 keys keyboard and accessories Floppy drive (USB) on the front Integral track-ball and switches integrated Audio rack remote control Jaeger 37 Pins socket 4 XLR-4 Sockets for litelite 12V-0,5A with dimmer 2 Talk Back XLR-3 female connectors, 48 V Phantom, Sens = -24 dBu (-18 dBFS) 2 Jack 6,35 TRS Headphones connectors, 15 dBu/ 16 Ohm Headquarters zone du Kenyah 56400 Plougoumelen - FRANCE Tl. +33 (0) 297 24 34 34 Fax+33 (0) 297 24 34 30