Line_6_POD_2.0_(Moto_POD)_Service_Manual电路图.pdf

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1、 POD 2.0 Rev. 2006 AKA “Moto POD” STOP! Please Read: 1. Whats Different? 2. Operational Differences 3. Serial Number Identification 4. RoHS Compliancy Service Manual RadioFans.CN 收音机爱 好者资料库 POD 2.0 Rev. 2006 AKA “MOTO POD” v. 1.0 Whats Different?: 1. General Differences; Visual RadioFans.CN 收音机爱 好者资

2、料库 2. Operational Differences: General Operational Differences versus POD 2.0 Amp and Effect Setups via MIDI Edit Indication MIDI indication Clip Indication Tuner Display Character Set Mono/Stereo Output MIDI ID Replaced Line 6 Layer amp model with Line 6 Lead FBV Footcontroller compatibility New ch

3、assis top and buttons 128 Channel Memories Smart FX operation for Effect Tweak knob Full-time compressor Full-time Delay with dedicated Delay Tap Effect on/off button with dedicated Effect Tap Easy Detail Tweaking Compare Function Compatibility with LINE 6 MONKEY Compatibility with LINE 6 EDIT AND C

4、USTOMTONE online tone library New Test Modes 3. Serial Number Identification: New POD 2.0 serial number prefix starts with MPD1 Older POD 2.0 serial number prefix starts with POD2, POD1H, or PD21 4. RoHS Compliancy: This product is compliant to RoHS Standards. RadioFans.CN 收音机爱 好者资料库 MOTO-POD (P1) M

5、AIN PCBA ASSEMBLY INSTRUCTIONS Rev. A MOTO-POD (P1): 50-00-0067 (Refers to common MAIN PCB, Rev. A: 35-00-0067) BOTTOM TOP Line 6 Confidential -Page 1- 11/8/2005 1. “NOT INSTALLED” COMPONENTS: Do not install the following components: R4, R5, R6, C2, Q1, Q2, H2, a model of a spring reverb, and a room

6、 reverb tone. Which you get depends on which Amp Model you select. Generally speaking, if the amp that inspired a given Amp Model had a spring reverb, thats what youll get. If the amp didnt have a reverb (like the 1968 Marshall “Plexi” which the Brit Classic model is based on*), youll get the room.

7、Effect Tweak - This knob varies the effect youve chosen. Turn it up and the effect will go deeper, louder, faster, longer or just plain more. The speed of the effects (delay, tremolo, chorus, fl anger, rotary speaker simulation) is set by the Tap switch (coming up in a page or two). If you set the E

8、ffects knob to Bypass, Effect Tweak will, of course, not change anything. 13 14 15 * All product names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying t

9、he specifi c products that were studied during Line 6s sound model development. MARSHALL is a registered trademark of Marshall Amplifi cation Plc. 16 1 5 Effects/Cabs - This knob selects which effect or combination of effects you get. This knob also allows you to choose Cabinet Models, and mix n mat

10、ch them with the Amp Models. To choose a Cabinet Model, hold the TAP button and turn this knob; the available cabinets are labeled in gray around the knob. Tuner - Button in the middle of your POD. Play a note on your guitar and POD will show you what it is on its handy display; all notes are displa

11、yed as naturals or fl ats, so youll see Ab instead of G#. Play that string youre trying to tune again, spin its tuning key so it goes sharp and fl at, and two little red arrows below the Tuner button will give you a light show (the idea is that the left pointing arrow will light if youre sharp. The

12、right pointing arrow will light if youre fl at). And both arrows will light at the same time when youve got it just right. Give any one of PODs buttons a push and the tuner disappears just as swiftly as it came and youre right back to normal POD operation. Tuner Volume - You can adjust the tuning vo

13、lume of your POD by turning the Chan Vol knob while the tuner is active (this doesnt affect the volume of your not-in-tuner-mode POD sound). Tuner Reference - Want a different reference than A=440Hz? When youre in the tuner mode, turn the Middle knob on POD while watching the display. You can set th

14、e reference frequency anywhere from 436-445 Hz. Noise Gate - Turns on and off the PODs built in Noise Gate. More Noise Gate details in the POD Effects chapter. 17 18 19 CONTROLLS smooth, yet biting. All the tone controls here are post-Amp Model for maximum control with minimum muddiness. Its like pl

15、aying through a collection of amps simultaneously a studio technique that has made possible some of the greatest guitar tones of modern recordings. Line 6 Layer - Line 6 Clean meets Line 6 Drive. As weve already mentioned, many guitarists and producers have experimented with running multiple amps si

16、multaneously, with each amp making a contribution to the overall tone. The Drive knob acts as a blender control fully left youve got big bottom 21st Century Clean, and fully right youve got paint-peeling Ultra-drive. Set it anywhere in between, and you get to have your cake and smear it all over you

17、r audience, too. MODELED AMPS clean settings are crisp and present, while more driven settings will mellow the high end, which is similar to the response of an actual amplifi er. Weve set up the Middle knob for this model, so you can add some post-Amp Model Midrange contouring for a little more fl e

18、xibility. Once again, set the Middle knob to its “neutral” 12 oclock position for the classic sound of a Fender Deluxe Reverb. * All product names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descriptions and images are pr

19、ovided for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development. FENDER and DELUXE REVERB are registered trademarks of Fender Musical Instruments Corporation. MODELED AMPS almost a “hi-fi ” sound in a great rock and roll amplifi er. * All pr

20、oduct names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development. MODELED AMP

21、S this additional circuit became known as Top Boost. The AC 30 with Top Boost was the amp made famous by many British invasion bands. Much of the unique character of the Vox sound can be attributed to the fact that Class A amps overdrive in a very different way than Class AB. Brian May of Queen, Mik

22、e Campbell of Tom Pettys Heartbreakers, and The Edge of U2 have also used classic AC 30s to make their music. On this Amp Model, PODs Middle control acts like the Cut knob on the AC 30. Although usually played fairly clean, a cranked AC 30 has a great saturated lead tone, a la Brian May on the early

23、 Queen albums. A non-Top Boost AC 30 is modeled for PODs Brit Class A #2 Amp Model, which comes up in a few more pages. * All product names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descriptions and images are provided

24、for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development. VOX is a registered trademark of Vox R another major tone difference was due to the necessary output 20 years later Van Halens fi rst two records owed their “brown sound” to a 100-wat

25、t Plexi. In order to get a crunch sound out of a Plexi you would likely crank up the input volume and the tone controls (to 10!). Youll fi nd that the Brit Classic, in keeping with our basic “make-it-sound-a-whole-lot-like-the-original” concept, is set up to do pretty darned near the same thing. Max

26、 out the Middle and Treble knobs and turn Bass to about 9 or 10 oclock on your POD when using this Plexi-inspired Amp Model and you can treat those nice neighbors to a tasty slice of fat rock tone. * All product names used in this document are trademarks of their respective owners, which are in no w

27、ay associated or affi liated with Line 6. These product names, descriptions and images are used solely to identify the specifi c products whose tones and sounds were studied during Line 6s sound model development. MARSHALL is a registered trademark of Marshall Amplifi cation PLC. FENDER is a registe

28、red trademark of Fender Musical Instruments Corporation. MODELED AMPS a lot louder. This is the amp for the classic surf sound. Dial up the spring reverb, switch on the tremolo, crank up the volume, and look out for bikinis. * All product names are trademarks of their respective owners, which are in

29、 no way associated or affi liated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development. FENDER and TWIN REVERB are registered trademarks of Fender Musical Instruments

30、 Corporation. MODELED AMPS the clean channel is very sensitive to attack, and dynamically responsive, and the drive channel has a thick, liquid, singing sustain that doesnt lose string defi nition when driven hard. PODs tone controls on this Amp Model are quite subtle, like those of the Dumble itsel

31、f. * All product names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development.

32、DUMBLE is a registered trademark of Howard Alexander Dumble. MODELED AMPS this allows you to adjust the apparent size of the reverberant space. There are two basic reverbs in your POD; a model of a spring reverb, and a standard digital room reverb. The reverb type is chosen when you select an Amp Mo

33、del. Generally speaking, if the amp that inspired a given Amp Model had a spring reverb, we give you the spring reverb. If the amp didnt have a reverb (like the 1968 Marshall “Plexi” which inspired the Brit Classic model), weve given you the room reverb. The back cover foldout and Amp Models Appendi

34、x run down the details on the standard pairings or the Amp Models/Reverb Types. Compressor - A compressor “squeezes” your sound so that the softer sounds are louder and the louder sounds wont be too loud and jump out at you. It helps to even out your playing, and can also be used to give increased s

35、ustain. Compression is often expressed in ratios, like 2:1 or 5:1. The higher the ratio, the less difference there is between your softest and loudest playing. The Effect Tweak knob will control the compression ratio. There are 5 settings: 1.4:1, 2:1, 3:1, 6:1, and :1. (The fi gure eight on its side

36、 means “infi nity.” With Effect Tweak set to max, you get infi nite compression, which is the same as having a limiter.) 15 * All product names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descriptions and images are provi

37、ded for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development. MARSHALL is a registered trademark of Marshall Amplifi cation Plc. POD EFFECTS 3 3 The compression is pre-Amp Model processing, so its like having a compressor pedal. Tremolo - Mo

38、deled after* the classic Fender tremolo. The Effect Tweak knob controls the depth; Tap controls the speed. The tremolo speed will be twice as fast as you tap (and twice as fast as the Tap light fl ashes), allowing you to set fast tremolos without having to tap like a madman. Chorus - Youll fi nd two

39、 different chorus sounds in POD. Chorus 1 is modulated by a square wave, so it sounds more like a “rackmount effect” type chorus. Chorus 2 is modulated by a sine wave with more feedback, so it has a richer harmonic content with more movement. Chorus 2 was massaged to closely approximate the classic

40、tone of an old Roland CE-1 box. The Effect Tweak knob spins you through a range of chorus settings from subtle to extreme; Tap controls the speed of the effect. By the way, if you want to get a really slow chorus, you have to tap really slow try about 6 or 7 seconds between taps. And if you dont lik

41、e that, remember that you can always set your tempo by holding down the Tap button and then twisting the Effect Tweak knob to wherever you want to go. * All product names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descri

42、ptions and images are provided for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development. FENDER is a registered trademark of Fender Musical Instruments Corporation. ROLAND is a registered trademark of Roland Corporation. POD EFFECTS 3 4 Flan

43、ger - Flanging is that familiar “jet-plane” whoosh you remember from recordings of the 70s. Originally the effect was used rarely, mostly because engineers had to use fi nger pressure on one of the tape reels so they could slow down and speed up the tape in tiny increments to get this effect. Since

44、the part of the tape reel they pressed on is called the fl ange, you can see how the effect got its name. As soon as someone fi gured out how to get this effect electronically, it was no longer rare and was probably used a little too much for the next several years. Weve got two fl avors of fl angin

45、g available on POD, both of which closely model the tone of an old ADA fl anger stomp box. Flanger 1 is a light fl ange with no pre-delay, and is subtler than Flanger 2, which is inverted, and has a deeper range (depth). The Effect Tweak knob gives you a range of Flanger effects from just a bit to H

46、oly Cow! Tap dials in the speed. Rotary - This effect simulates the effect of a micd, rotating high frequency speaker horn, like on a Leslie. Listening to this effect in stereo through headphones could cause motion sickness. Rotary speakers have two speeds: slow and fast. Weve set up PODs Rotary Spe

47、aker emulation to select a fi xed slow speed if you tap slowly, and a fi xed fast speed if you tap quickly. When you switch from one speed to the other, youll notice that the speed doesnt change immediately, but gradually changes from one speed to the other, just as a real rotating speakers speed wo

48、uld ramp from one setting to the other. The Effect Tweak knob controls the amount of Doppler effect (pitch modulation); Tap controls the speed. * All product names are trademarks of their respective owners, which are in no way associated or affi liated with Line 6. These product names, descriptions

49、and images are provided for the sole purpose of identifying the specifi c products that were studied during Line 6s sound model development. LESLIE is a registered trademark of Suzuki Musical Instrument Manufacturing Co. Ltd. POD EFFECTS 3 5 Delay - Sometimes referred to as echo or slap back. The Effect Tweak knob controls the level; Tap controls the delay time in other words, how far apart the echoes are spaced from each other. When you are using