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1、Klark Teknik Group, Klark Teknik Building, Walter Nash Road, Kidderminster. Worcestershire. DY11 7HJ. England. Tel:+44 1562 741515 Fax:+44 1562 745371 Email: Website: OPERATORS MANUAL AND SERVICE INFORMATION Iss 1 RadioFans.CN 收音机爱 好者资料库 RadioFans.CN 收音机爱 好者资料库 IMPORTANT SAFETY INSTRUCTIONS These sy
2、mbols are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash with arrowhead symbol, within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the products enclosure that may be of
3、sufficient magnitude to constitute a risk of electric shock to persons. 1.Read these instructions. 2.Keep these instructions. 3.Heed all warnings. 4.Follow all instructions. 5.Do not use this apparatus near water. 6.Clean only with a dry cloth. 7.Do not block any of the ventilation openings. Install
4、 in accordance with the manufacturers instructions. 8.Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9.Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blad
5、es with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power
6、 cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. Only use attachments / accessories specified by the manufacturer. 12. Unplug this apparatus during lightning storms or when unused for long periods of time. 13.
7、 Refer all servicing to qualified personnel. Servicing is required when the apparatus is damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally,
8、 or has been dropped. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE AVIS: RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR The exclamation point within an equilateral triangle is intended to alert the user t
9、o the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. RadioFans.CN 收音机爱 好者资料库 Walter Nash Road, Kidderminster, Worcestershire. DY11 7HJ. England Tel: +44 1562 741515. Fax: +44 1562 745371 Company Registration No: 2414018 abc abc
10、SIGNAL PROCESSING BY DEFINITION DESIGNED FOR A PURE PERFORMANCE DECLARATION OF CONFORMITY We, Klark Teknik Group (UK) Plc of, Klark Teknik Building, Walter Nash Road, Kidderminster, Worcestershire, DY11 7HJ. Declare that a sample of the following product:- to which this declaration refers, is in con
11、formity with the following directives and/or standards:- Product Type Number Product Description Nominal Voltage (s) Current Freq A Subsidiary of Telex Communications, Inc. Verona Professional Audio 115V AC 2.2A 50/60Hz Mixing Desk 230V AC 1.1A Directive(s) Test Standard(s) Generic Standard using EN
12、55103 Limits and Methods Class B Conduct EmissionsEN55103 Class B Radiated EmissionsEN55103 Fast Transient BurstsEN61000-4-4 Static DischargeEN61000-4-2 Electrical SafetyEN60065:2002 PendingUL60065-03 PendingCAN/CSA60065-03 IEC60065-2001 Pending Signed:.Date: 1st January 2004 Name: Simon Harrison Au
13、thority: Research and Development Director, Klark Teknik Group (UK) Plc Attention! Where applicable, the attention of the specifier, purchaser, installer or user is drawn to special limitations of use which must be observed when these products are taken into service to maintain compliance with the a
14、bove directives. Details of these special measures and limitations to use are available on request and are available in product manuals. Thank You for using a Midas Verona mixing console. The Verona has been developed to meet the needs of demanding live sound engineers and meets the quality of build
15、 and performance that you would expect from a Midas. The Verona is an all purpose FOH, Monitor or FOH and Monitor Hybrid console that is quickly and easily configurable. Each mono input channel offers microphone and line inputs, direct output and insert points and four band sweep equaliser stage. In
16、 addition the Verona has a flexible buss structure allowing the engineer to mix in stereo or LCR. The Verona, also allows the user to route to any of 20 other busses (8 Auxiliary Busses, 8 Group Busses and 4 Matrix Busses) for even the most demanding application. All backed up, of course, by the sta
17、ndard Midas Three Year Warranty. Please take the time to complete and return the registration card and, to obtain the best results with a minimum of effort, also read this operators manual. Finally, Enjoy your new Midas Verona Console! Operators Manual - Page 5 Contents ATTENTION: Installation and p
18、ower6 Mono Input Channels7 Rear Panel and Gain8 Equalisation9 Auxiliary Outputs10 Pan and Routing11 Metering and Automutes12 Multifunction Input Channels13 Rear Panel and Gain14 Channel Equalisation15 Auxiliary Outputs16 Pan and Routing17 Metering, Automutes and Hints and Tips18 Output Module19 Outp
19、ut Module notes20 Groups21 Matrix22 Meters24 Features26 Setting up the Verona27 Functional Block Diagrams33 Mono Input34 Multifunction Input35 Group/Matrix Module36 Master Module37 Dimensions and Weights39 Specification and Features41 Crib Sheet45 ATTENTION The following special limitations must be
20、observed in order to maintain safety and electromagnetic compatibility performance. Power Connection The console should only be operated with the power supply connected to ground via the ground in the mains connector. Audio Connections The console should only be operated with high quality twisted-pa
21、ir audio cables. All connector shells should be of metal construction so that they provide a screen when connected to the console. All jack connector shells should be connected to the cable screen. All XLR plugs should have pin one (1) connected to the cable screen. Electric Fields If the console is
22、 operated in an electromagnetic field that is amplitude modulated by an audio frequency signal, the signal to noise ratio may be degraded. Degradation of up to 60dB may be experienced under extreme conditions (3V/m, 90% modulation). INSTALLATION Position The position of the console will vary from ve
23、nue to venue. However , when positioning the console for front of house usage it is worth placing the console in a position where the sound system used can be heard properly from the mix position. Try to avoid placing the console behind pillars or large objects , or mixing from a level above the spe
24、aker position (e.g. from a balcony). Also try to avoid placing the console near or on any power distribution units or power amplifiers. Power If using an external power supply, it should be located as far away from the console as the connecting cable will allow. The power supply should be set for th
25、e voltage supply available in your area and plugged into the mains outlet using the cable provided. ! THE POWER SUPPLY SHOULD NEVER BE OPERATED WITH THE MAINS EARTH DISCONNECTED Please note that the power supply contains LETHAL VOLTAGES greatly in excess of the mains voltage and that its rails can p
26、roduce extremely large currents which could burn out equipment and wiring if shorted. All testing and servicing should ONLY be carried out by a qualified engineer. RCA (Tape In/Out) Centre - Signal Surround - Screen The Venices Tape In/Out sockets are unbalanced and operate at a nominal signal level
27、 of -10dBu. For increased protection against interference use metal bodied RCA plugs. Female XLR Pin 1 - Screen/Ground Pin 2 - Hot Signal Pin 3 - Cold Signal Male XLR Pin 1 - Screen/Ground Pin 2 - Hot Signal Pin 3 - Cold Signal Note: Sockets are viewed from the front face. To ensure the correct and
28、reliable operation or your Midas Verona console, only high quality screened twisted pair audio cable and metal bodied connectors should be used. ConnectionsConnections PUSH 1 1 2 2 3 3 Quarter Inch Jack TRS SignalTRS InsertTRS Headphone Sleeve Screen/GroundScreen/GroundScreen/Ground Ring Cold Signal
29、Insert ReturnRight Tip Hot SignalInsert SendLeft Operators Manual - Page 6 Mono Input Channel Operators Manual - Page 7 ins MIDAS mic gain 100 3001k 2k 20 50100 200 400 3k 8k 1k 2k 5k10k 20k 20 60160 400 -15+15 -15+15 -15+15 -15+15 +30+45 +60+15 mic padpower 48v-15 eq on 0 0 0 0 0 0 0 0 +6 +6 +6 +6
30、+6 +6 +6 +6 eq aux pre off treble hi-mid lo-mid bass hi-pass pan c lr groupsmaster pans i s -18 0 12 18 mute 1 mute 2 mute 3 mute 4 aux 1 aux 2 aux 3 aux 4 aux 8 mono groups stereo 1-2 5-6 7-8 3-4 pre pre aux 7 aux 6 aux 5 O O 10 10 5 5 0 20 15 30 40 SOLO MUTE Mono Input ChannelsMono Input Channels
31、insert mic mic mic line in direct out line L R 1 PUSH The Verona channel inputs are located on the rear of the console. Each mono channel provides one insert point on a single TRS jack socket. one direct output on a single impedance balanced quarter-inch jack socket one line in quarter-inch TRS bala
32、nced jack socket one mic XLR female The insert point is unbalanced and requires a conventionally wired insert lead where: Tip - Channel Signal Send Ring - Channel Signal Return Sleeve - Signal Common Ground The direct out and insert points operate at a nominal level of 0dBu. Balanced XLR and Jack in
33、puts are conventionally wired: XLR - 1. Screen - 2. Hot Signal - 3. Cold Signal TRS - T. Hot Signal - R. Cold Signal - S. Screen ins mic gain +30+45 +60+15 mic padpower 48v-15 O O 20 60 160 400 hi-pass Front Panel The actual number of mono input channels on your Verona will depend upon your choice o
34、f frame, however functionality remains the same Rear Panel 48V Power - When depressed, the Verona will apply 48 volts phantom power to the microphone input. This is used to power condenser microphones, direct inject boxes and other devices that require phantom power. The red phantom LED will light t
35、o indicate that 48V phantom is in operation. -15dB Pad - The Pad switch provides 15dB attenuation to the input signal allowing for the connection of high output microphones and line level signals without overloading the channel input amplifier. Overloads are indicated on the in-channel meter by the
36、red LED at the top. Mic Gain - The mic gain is continuously variable from +15dB to +60dB (0dB to +45dB with the Pad enabled). The actual value of the gain required will depend upon the source and should ideally be set such that peaks in level on the input should not cause the input amplifier to over
37、load (occasional peaks of +12dB is okay, +18dB is too high). Mic - The mic phase switch, when depressed, causes a 180 degree phase change (with respect to the input signal) to occur in the input amplifier such that the channel signal will have opposite polarity to the input signal. The mic phase swi
38、tch is commonly needed where two microphones are used facing each other (for example when using a microphone on both the top and bottom of a snare drum). Ordinarily the two microphones would be out of phase causing cancellation when the console sums the two signals into the output. Reversing the pha
39、se of one signal causes the microphones to have the same phase and no cancellation. Ins - The ins switch enables the channel insert point by connecting the insert return to the channel signal path so that compressors, gates or other dynamic and signal processors or effects can be used. Hi-Pass - The
40、 high pass switch enables high pass filter on the microphone input. This is commonly used to remove handling noise, bass rumble through coupling with the stage or mains hum. High Pass Frequency - The cutoff frequency of the high pass filter is continuously variable from 20Hz to 400Hz. Operators Manu
41、al - Page 8 Channel Equalisation Each mono input channel of the Verona has a four (4) band sweep EQ allowing tonal control over the input signal. Treble (Gain) - The gain of the treble equaliser is continuously variable from -15dB to +15dB with a centre detent at 0dB. Treble (frequency) - The centre
42、 frequency of the treble equaliser is continuously variable from 2kHz to 20kHz. Hi-Mid (Gain) - The gain of the hi-mid equaliser is continuously variable from -15dB to +15dB with a centre detent at 0dB. Hi-Mid (frequency) - The centre frequency of the hi-mid equaliser is continuously variable from 4
43、00Hz to 8kHz. Lo-Mid (frequency) - The centre frequency of the lo-mid equaliser is continuously variable from 100Hz to 2kHz. Lo-Mid (Gain) - The gain of the lo-mid equaliser is continuously variable from -15dB to +15dB with a centre detent at 0dB. Bass (frequency) - The centre frequency of the bass
44、equaliser is continuously variable from 20Hz to 200Hz. Bass (Gain) - The gain of the bass equaliser is continuously variable from -15dB to +15dB with a centre detent at 0dB. EQ On - The Equaliser can be enabled by depressing the EQ On switch. Otherwise changes on the Equaliser controls have no effec
45、t. This can be used to compare the sound with and without EQ during sound check. EQ Off (aux pre) - If desired, the channel signal can be sent to the auxiliary outputs without equalisation. Depressing the EQ Off (Aux Pre) switch causes pre-fader auxiliary sends 1-6 to be sourced before the channel e
46、qualiser (Pre-EQ). Note: Post fader sends are always Post EQ. 20 50100 200 -15+15 eq on eq aux pre off bass 100 3001k 2k 400 3k 8k 1k -15+15 -15+15 hi-mid lo-mid Operators Manual - Page 9 5k10k -15+15 treble Mono Input ChannelsMono Input Channels ins MIDAS mic gain 100 3001k 2k 20 50100 200 400 3k 8
47、k 1k 2k 5k10k 20k 20 60160 400 -15+15 -15+15 -15+15 -15+15 +30+45 +60+15 mic padpower 48v-15 eq on 0 0 0 0 0 0 0 0 +6 +6 +6 +6 +6 +6 +6 +6 eq aux pre off treble hi-mid lo-mid bass hi-pass pan c lr groupsmaster pans i s -18 0 12 18 mute 1 mute 2 mute 3 mute 4 aux 1 aux 2 aux 3 aux 4 aux 8 mono groups
48、 stereo 1-2 5-6 7-8 3-4 pre pre aux 7 aux 6 aux 5 O O 10 10 5 5 0 20 15 30 40 SOLO MUTE Auxiliary Outputs The Verona has 8 auxiliary outputs which can be used for effects sends, monitors or as extra assignable outputs from the console. Pre-Fade auxiliary (aux) sends are sourced after the channel Ins
49、ert, Mute and EQ but before the channel fader (and EQ if the Aux Pre EQ switch is depressed). As a result, the actual level sent to the aux buss is proportional to the aux send control only. Post-Fade aux sends are sourced after the channel Insert, Mute, EQ and channel Fader. As a result, the actual level sent to the aux buss is proportional to the aux send control AND the channel
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