JBL Technical Note - Vol.1, No.9 电路原理图.pdf

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1、Technical Notes Volume 1, Number 9 Distortion and Power Compression in Low-frequency Transducers 1 Introduction: All too often, consultants and sound contractors are concerned with only the Input power rating and Thiele- Small parameters of low-frequency transducers. Certain other Important aspects

2、of performance are not ade- quately spelled out by the above quantities, namely mid- band distortion and power compression at high drive levels. JBL LF transducers are noted for their exemplary performance in both of these areas, and in this Technical Note we will examine the details of design and c

3、onstruc- tion which result in this degree of performance. 2. Ferrite versus Alnico V: Distortion in the Mid-band: For years JBL used Alnico V in the design of all 50 mm (2 in), 75 mm (3 in), and 100 mm (4 in) voice coil transducers. We had analyzed the various ferrite materials which were available,

4、 and we had tentatively come to the conclusion that we could make lower distortion devices by staying with Alnico V Ferrite was certainly cheaper, and the bulk of the loudspeaker industry had already moved in that direction. Our continuing research in magnetics indicated that some of the faults we h

5、ad observed in ferrite magnet structures were not inherent in that material, but rather were due to its implementation. Our research was quick- ened by the worldwide cobalt shortage, and in 1978 JBL introduced its first Symmetrical Field Geometry (SFG) magnet structures. We had succeeded in improvin

6、g on our older Alnico V designs, and the data of Figure 1 summarizes our results. Here, we have taken the same moving system and compared its performance in the following three magnetic assemblies: 1. Conventional JBL Alnico V assembly 2. Conventional ferrite assembly 3. Optimized ferrite assembly w

7、ith undercut pole piece and flux stabilizing ring In Figure 1A we show the performance of the 128H cone assembly (the LF element in the 4411 monitor loud- speaker) as mounted in the traditional Alnico V structure. Distortion components have been rasied 20 dB for ease in reading. Power input is ten w

8、atts. Note that second harmonic distortion above 100 Hz is just about 40-to-50 dB below the fundamental, indicating distortion below 1%. When the same moving structure is placed in a con- ventional ferrite structure with the same flux density, as shown at B, we see that the mid-band distortion is 35

9、 dB below the fundamental, indicating distortion of about 2%. When the same moving system is placed in the optimized ferrite structure, as shown at C, the second harmonic distortion components have all but fallen off the page, and the distortion is in the 0.3% range. The differences between conventi

10、onal ferrite struc- tures and JBLs Symmetrical Field Geometry (SFG) design are shown in Figure 2. The undercut pole piece provides a major improvement in second harmonic dis- tortion, inasmuch as it creates symmetrical flux lines on both sides of the pole piece and top plate. However, this was not s

11、ufficient to match the performance of our older Alnico designs. There were two remaining problems, inductance modulation and flux field modulation, and we went back to the work of Michael Faraday to solve them. We placed an aluminum ring at the base of the pole piece. This ring, or Faraday loop, lin

12、ks the flux and provides coupling with the voice coil. Its cross-sectional area is about one square centimeter, and its resistance is less than one- thousandth ohm. Quite high currents may flow through it, but power loss is minimal. Inductance modulation occurs because the voice coil sees more iron

13、when it moves into the gap than it does when it moves out of the gap. With the shorted turn in place, we have in effect a transformer, as shown in Figure 3, with a very low resistance in the secondary Figure t Response of 128H Transducer Moving System Placed in Three Different Magnet Structures. (Me

14、asured at 1 meter with 10 watts Input.) A JBL Alnico V Magnet Sturcture. B. Conventional Ferrite Structure. 40 Amplitude Response (dB) Power input = 10 watts 2nd Harmonic 3rd Harmonic Power input = 10 watts 2nd Harmonic 3rd Harmonic Amplitude Response (dB) 2 C. Optimized JBL Ferrite Structure (SFG).

15、 Power input = 10 watts Figure 2. Comparison of Conventional Ferrite Magnet Structure and JBLs SFG Structure. Symmetrical magnetic field Vent for better heat dissipation No vent Non-symmetrical magnetic field Top plate Top plate Ferrite magnet Pole piece Cast back plate Flux Stabilizing Ring Amplitu

16、de Response (dB) 2nd Harmonic 3rd Harmonic JBL Symmetrical Field Geometry Conventional Magnetic Assembly Pole piece Stamped back plate No Flux Stabilizing Ring Ferrite magnet 3 Figure 3. Reduction of Inductance Modulation through Use of a Shorted Turn. Voice Coil (primary; non-linear inductance) win

17、ding. The low resistance is reflected through to the primary and swamps out the non-linear inductance. Flux field modulation occurs because the flux gen- erated by current in the voice coil adds to that of the magnet on one half cycle and subtracts on the other half cycle. The resulting shift in the

18、 operating point causes second harmonic distortion. When the shorted turn is in place, current is induced which creates its own alternat- ing flux opposite to that generated by the voice coil. Thus, the flux field modulation is minimized. We do not know of any other domestic manufac- turers of profe

19、ssional LF transducers who make use of both undercut pole pieces and flux stabilizing rings. 3. Power Compression at High Output Levels: A. Description of Power Compression: For short duty cycles, most LF transducers intended for professional use can stand power input up to ten times their nominal p

20、ower rating, assuming of course that the input signal does not result in voice coil excur- sions exceeding the design limit of the device. The key here is the duty cycle. In normal professional usage, especially in demanding music reinforcement, the required duty cycle is nearly continuous. Since mo

21、st LF loudspeakers are far less than 10% efficient, it is clear that the bulk of the power input must be dissipated as heat. The heat is generated at the voice coil and is a direct consequence of current flowing through the resistance of the coil. While the heating process is underway, the resis- ta

22、nce of the voice coil rises. The benefit here is that the voice coil will tend to draw less currentand thus attempt to protect itself. The drawback is in sonic terms, and it is known as dynamic compression. Figure 4 shows a family of curves for a 380 mm (15 in) transducer driven in successive 3-dB p

23、ower increments from 0.8 watt to 100 watts. In Figure 5, we have taken 1-watt and 100-watt curves and overlaid them, taking into account the 20 dB difference between them. If there were no power com- pression the two curves would overlap exactly. But note that there is a fairly consistent 1.25 dB di

24、fference between them. In general, dynamic compression will be minimal at transducer impedance peaks, since there is less current drawn. Conversely, compression will be greatest in regions of minimum impedance, because more current will be drawn. The effect may be cumulative with time, as shown in F

25、igure 6. Here, response sweeps were made with 200 watts nominal power input at 20 minute intervals through a 100-minute time span. The curves taken at 80 and 100 minutes were observed to overlay almost exactly, indi- cating that the voice coil and magnetic structure had reached thermal equilibrium.

26、Note that the total power compression at 200 watts input is about 3 1/2 dB in the mid-band. This is exactly what would happen in acutal musical performance if the transducer were being sub- jected to continued 200-watt power input. Figure 4. Response Curves from 0.8 to 100 watts for a 380mm (15 in)

27、LF Transducer. Bottom line is 80dB(SPL). 40 Frequency in Hz Shorted Turn (secondary; very low resistance) Response in dB 4 Figure 5. Response Corves for 1 watt and 100 watts, Adjusted by 20 dB. Bottom Line is 70 dB(SPL) for 1 watt and 90 dB for 100 watts. Figure 6. Cumulative Effects at 200 watts in

28、put. Bottom Line is 90 dB(SPL). Frequency in Hz 5 Response in dB Frequency in Hz Response in dB Figure 7. Typical LF Alignment Shifts. A. JBL 2240H Optimized at 27 C (80 F). 6 Response in dB impedance in Ohms Impedance Amplitude Frequency in Hz B. JBL 2240H with 150 C (302 F) Voice Coil Temperature.

29、 Response in dB Impedance in Ohms Impedance Amplitude Frequency in Hz B. Magnitude of Resistance Shift: The increase in resistance over that measured at room temperature is given by the following equation: RT= Rt 1+(TT-Tt) where a is the temperature resistance coefficient, Tt is room temperature and

30、 TT is some elevated temperature, both in degrees Celsius. For aluminum and copper, the materials normally used for voice coils, the value for a is about 0.004 per degree Celsius. Room temperature is usually about 20 degrees Celsius, and it is not unusual for voice coil temperatures to reach 200 deg

31、rees Celsius. Under this condition, a voice coil with resistance of 6 ohms at room temperature will increase to 10.3 ohms. High powered voice coils may operate as high as 270 degrees Celsius, and under this condition the resistance will be double what it was at room temperature. Since efficiency is

32、inversely proportional to voice coil resistance, it is obvious that there can be some remarkable shifts in transducer efficiency as a fraction of voice coil temperature increase. Voltage sensitivity will be affected somewhat differently, since it is a function of both efficiency and transducer imped

33、ance. LF alignments will also be affected by the resistance shift. The curves shown in Figure 7 are typical of what may happen. C. Heat Transfer: The way to reduce dynamic compression is through increased heat sinking and minimizing temperature rise in the first place. It is in this area where JBLs

34、100 mm (4 in) voice coils have a natural advantage over the smaller diameter voice coils used by the bulk of the industry. Assume that we are going to design a LF transducer and that we have our choice of making the voice coil either 63 mm (2.5 in) in diameter or 100 mm (4 in) in diameter. The choic

35、e of the smaller diameter will result in a smaller magnet and will of course cost us less. But for a given voice coil resistance and a given axial length of the coil, the wire chosen for the larger diameter voice coil will be V4/2.5, or 1.26 times greater in cross-sectional area. This results in a p

36、roportional reduction in resistance per unit length. Less resistance translates into greater current capacity, and thus less heat. The increased surface area of the larger voice coil will promote better heat transfer as well. 4. Suspension Non-linearities at High Power Inputs: If a LF transducer is

37、driven at high levels in the region of resonance, the voice coil will tend to leave the magnetic gap at peak displacements. This will cause some loss of magnetic flux cutting the voice coil, and there will be a loss of Bl product. When this happens, there will be a drop in the motional impedance of

38、the transducer, causing it to draw more current, thus moving even farther out of the gap. The transfer characteristic is altered, as shown in Figure 8, and generous amounts of second harmonic distortion will be produced. There is also a tendency for the cone to show DC offset, migrat- ing out of the

39、 gap during large excursions. Harwood has described this action in detail (see reference) and suggests the use of spiders (inner sus- pension) which exhibit progressively increasing stiffness. When this is done, a significant degree of distortion can- cellation takes place, and the loudspeakers tran

40、sfer characteristic can be maintained linear over a larger dis- placement range. Figure 8. Magnetic and Suspension Non-linearities. Expansion action due to loss of Bl product Net transfer characteristic Effect of non-linear suspension Input Output 7 In recent years, most of JBLs LF transducers have

41、been redesigned with such spiders; however, for certain musical instrument applications, the development of second harmonic distorion may be a desirable sonic characteristic and intentionally designed into the product. 5. Competitive Comparisons: In this section we will examine 100-watt distortion d

42、ata as well as dynamic compression data for a number of transducers. Distortion components have all been raised 20 dB for ease in reading. All curves were run at a distance of one meter, and the transducers were mounted in a 280 liter (10 cubic foot) enclosure flush mounted in a large flat baffle. A

43、. 100-watt Distortion Data: Figures 9 through 14 show 100-watt distortion data for six LF transducers. We will now comment on the data in detail: JBL E140-8 (Figure 9): Primary application: musical instrument (bass guitar). Frequency response: quite smooth out to 2 kHz with a slight rise in the 1-to

44、-2 kHz octave; appropriate for its application. Distortion: remains below 3% in the 200 Hz to 1 kHz range. DC offset: substantial, as indicated by rise in second harmonic in 60 to 180 Hz range; appropriate for its appli- cation; designed into the tranducer to add warmth and punch to bass guitar soun

45、d production. JBL 2225H (Figure 10): Primary application: sound reinforcement. Frequency response: exceedingly smooth out to 2 kHz. Distortion: quite low; below 5% from 60 Hz to 4 kHz; less than 2% from 80 to 800 Hz. DC offset: not evident. Electro-Voice EVM-15L (Figure 11): Primary application: mus

46、ical instrument (guitar). Frequency response: smooth to 4 kHz for extended range application. Distortion: generally rising characteristic from 200 Hz to 2 kHz; indicative of cone breakup and lack of undercut pole piece and flux stabilizing ring; less than 5% from 80 Hz to 800 Hz; 10% from 60 Hz to 4

47、 kHz. DC offset: evident from second harmonic rising along with third at low frequencies; suggests some non- linear suspension action. Figure 9. JBL E140-8100 watt Distortion Data. Response In dB 3rd Harmonic 2nd Harmonic Frequency in Hz 90 dB(SPL) 8 Figure 11. Electro-Voice EVM-15L100 watt Distorti

48、on Data. Frequency in Hz 9 Figure 10. JBL 2225H 100 watt Distortion Data. Response in dB Frequency in Hz 3rd Harmonic 2nd Harmonic 80 dB(SPL) GO C 1 c a s 2nd Harmonic 3rd Harmonic 90 dB(SPL) Electro-Voice DL-15X (Figure 12): Gauss 4883A (Figure 13): Primary application: sound reinforcement. Frequen

49、cy response: quite smooth out to 3 kHz with the exception of a surround resonance dip at 380 Hz. Distortion: fairly high for a transducer intended for reinforcement applications (compare with JBL 2225H); transducer has no undercut pole piece; however, it does have an aluminum pole piece extension for improved heat sinking and voice coil inductance control; over 10% distortion at surround resonance. DC offset: moderate, as indicated by